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January 3, 2009

There were fewer than half a million Jews in the Warsaw ghetto. There are a million and a half Palestinians in the Gaza ghetto. Jews in the Warsaw ghetto resisted the Nazi occupation with whatever crude weapons they had. A few Germans were killed or wounded but it wasn't a fair fight. Palestinians are resisting the Israeli occupation. A few Jews have been killed or wounded but it's not a fair fight. Here are some excerpts from Chapter Forty-two of Oprah's Dead Son:


"...Things didn't work out for The Third Reich and handy-dandy, Jews got to be God's chosen people again. Jews got given the State of Israel because of all the wrong that got done to them by Hitler and the Nazis, the same way Hitler and the Nazis got given Germany on account of all the wrong that got done to Germans after the First World War. Jews can do no wrong on account of all the wrong that got done to them. The State of Israel can get away with murder the same way Nazis got away with murder. Turnabout is fair play. To the victors go the spoils. Might makes right. Because of the Holocaust, Israel doesn't have to abide by international law, the same way Hitler didn't have to abide by international law after the Treaty of Versailles. The Israeli Defense Force can attack and occupy any territory it wants to attack and occupy. UN resolutions have no effect on the State of Israel. Israel can kill and maim and kidnap anyone it wants to kill and maim and kidnap. Tens of thousands of Palestinians have been routinely tortured in Israeli jails for decades but let one lonely nineteen-year-old Jewish soldier take a wrong turn in Gaza and all holy hell breaks loose—and that's just for starters..."

"...Who's more likely to nuke its neighbors? Iran? A country with no nuclear weapons who's a party in good standing to a global nonproliferation treaty? Or Israel? A country with close to four hundred nuclear warheads mounted on cruise missiles in submarines that can be launched in a matter of minutes against any other country in the world, a country with a paranoid-schizophrenic penchant for unprovoked attacks on other sovereign nations, a country that's not only not a party to a nonproliferation treaty but doesn't admit it has any nuclear weapons, period? What kind of big fat lie is that..."

"...Jews are a hundred times more likely to be billionaires than anyone else 'cause everyone else in the world is terrified of Jews. The last thing you ever want to do is piss off a Jew. Why? Whoa, let me count the ways. First, Jews are in charge of propaganda for the multinational Nazi conglomerates that have all the money in the world, second, the State of Israel has more nuclear weapons than China, India, Pakistan and the UK put together and third, the United States will protect and defend Israel at all costs against all enemies forever because no politician can get elected in America without the support of Jews and guys who kiss up to Jews in the media and entertainment monopoly. If you piss off a Jew nobody will ever hear a word you have to say—you'll be blackballed, blacklisted, despised, rejected, demonized, ignored, intimidated—and if you piss of Israel you'll get nuked. It's a stacked deck..."

"...A handful of Holocaust survivors and their offspring, with the all-pervasive media and entertainment monopoly on their side, are holding the whole world hostage. What should we be more worried about, Israeli cruise missiles armed with nuclear warheads being launched against the United States or Iran maybe enriching enough uranium to blow some Ayatollah's nose someday? The morons in media and entertainment will tell you it's the Ayatollah's nose we have to worry about. How absurd is that? You tell me. Those are the kinds of questions you can ask 'til the cows come home and not only will you never get an answer but nobody will ever even get to hear the question. Hitler and The Holocaust created a monster that's gonna give birth to a monster a thousand times worse than Hitler and the Holocaust ever were..."

"...Israel's nuclear arsenal has been around since 1968. Every little community of ten thousand people in the State of Israel has its own personal nuclear weapon. There are sixty-five million people in Iran and the whole country doesn't have any nuclear weapons at all. Israel has unilaterally bombed other countries. Iran hasn't. Those are facts. One out of every four hundred people in the world is Jewish and one out of every three billionaires is a Jew. True or false? True..."

"...The land of the free and the home of the brave has been ceded to a handful of Jews and guys who kiss up to Jews in media and entertainment who gear everything that gets into anyone's brain toward two overriding objectives, making money for corporate Nazis and protecting and defending the State of Israel to the last breath of life on earth—whatever it takes, however many trillions of dollars, however much innocent blood, there's nothing more important than making money and keeping Israel safe..."

"...There wasn't much Israel and the United States liked better than Iran and Iraq killing and maiming each other to the tune of however many million people it was during the Iran-Iraq war. The more Muslims that kill each other, the fewer Muslims we're going to have to kill in order for Israel to be secure and live in peace. As long there are any self-respecting Muslims left in the Middle East, Israel's never gonna be secure. Nobody in Israel even wants to live in peace. What would there be to kvetch about? It's hard to play the hapless victim when you're pound-for-pound the most powerful nation on the planet. We've hitched our star to a tribe of crazy people.."

"...The global Nazi oligarchy's gonna come out smelling like a rose no matter who wins or loses in the Middle East or anywhere else. Jews and guys who kiss up to Jews in the media and entertainment monopoly know how to perpetuate conflict, how to turn it into sizzle, how to sell it, how to capitalize on it. What progress has peace in the Middle East made in sixty years? None. Israel doesn't want an end to hostilities on any terms but its own and its terms are that as long as there's a single Islamic martyr willing to kill himself or herself in order to hurt a single Jew there's not gonna be an end to hostilities. Hostilities make money. There's always gonna be a quibble, a nuance, another nutty little Netanyahu nit to pick. Who's gonna solve that? The bottom line is that Israeli Jews and Arab Muslims don't hit it off, period, and it serves the purposes of media and entertainment to see to it that they never do. I suppose that's anti-Semitic, too..."

"...If I'd lived in Nazi Germany, Hitler would've pissed me off. I would've tried to piss him off back. I may have ended up in Dachau but I'd way rather have been in Dachau than goose-stepping around with a swastika on my arm, swallowing Nazi schmaltz all day every day. Where I'm living now is in Nazi America, and it's guys like Si Newhouse and Sumner Redstone and Michael Bloomberg and David Geffen and Stephen Spielberg and Arthur Sulzberger and Jeff Berg and their lawyers and publicists and the army of politicians, college professors and think tank dweebs they own and operate who piss me off. They've got the whole world gagging on worthless, moneygrubbing Nazi schmaltz and drowning in mindless, thoughtless, criminally insane corporate-Nazi horseshit..."


Here's Ginny Good in its entirety. It's free, like me. G.

http://everyonewhosanyone.com/ggsyn1.html

Gerard Jones
everyone@everyonewhosanyone.com
http://www.everyonewhosanyone.com

"...they'll have me whipped for speaking true, thou'lt
have me whipped for lying; and sometimes I am
whipped for holding my peace. I had rather be any
kind o' thing than a fool: and yet I would not be
thee, nuncle..."




Magnet Management
6380 Wilshire Blvd., Suite 1606
Los Angeles, CA 90048
(323) 658-8636

Mitch Solomon
mitch@magnetmanagement.com

Chris Mills
chris@magnetmanagement.com

Zach Tann
zach@magnetmanagement.com

Michelle Markowitz
michelle@magnetmanagement.com



The Leo Media & Entertainment Group
150 Minories
London EC3N 1LS
United Kingdom
+44 (0)20 8905 5191

http://www.leomediagroup.com

info@leomediagroup.com

Alex Sullivan
alex@leomediagroup.com



Josselyne Herman & Associates
345 East 56th Street, Ste. 3-B
New York, New York 10022
(212) 355-3033

http://www.jhamanagement.com

info@jhamanagement.com

Josselyne Herman-Saccio
josselyne@jhamanagement.com

Michael Saccio
michael@jhamanagement.com



Cheng Caplan Company
1680 North Vine Street, Ste. 808
Hollywood, CA 90028
(323) 993-1998

http://www.chengcaplanco.com

Angela Cheng Caplan
angela@chengcaplanco.com



Principato-Young Management
9665 Wilshire Blvd., Ste. 500
Beverly Hills, CA 90212
(310) 274-4474


Partial Client List:

Actors: Anthony Anderson, John Cho, Hill Harper, Cheryl Hines...

Writers: Ben Garant, Adam Glass, Jonathan Hurwitz, Thomas Lennon, Mike Lisbe, Nate Reger, Geoff Rodkey, Hayden Schlossberg, Don D. Scott...

Peter Principato
pprincipato@principatoyoung.com

Paul Young
pyoung@principatoyoung.com

Brian Dobbins
bdobbins@principatoyoung.com

Ted Bender
tbender@principatoyoung.com

Allen Fischer
afischer@principatoyoung.com

David Gardner
dgardner@principatoyoung.com



Osbrink Talent Agency
4343 Lankershim Blvd., Suite 100
Universal City, CA, 91602
(818) 760-2488

http://www.osbrinkagency.com

Scott Wine, Co-Owner
scott@osbrinkagency.com

Angela Strange
angela@osbrinkagency.com

Laura Soo Hoo
laura@osbrinkagency.com

Dawn Osbrink
dawn@osbrinkagency.com

Emily Urbani
emily@osbrinkagency.com



The Mitch Stein Agency
5125 Oakdale Ave.
Woodland Hills, CA 91364
(818) 594-8990

Mitch Stein
mstein@thesteinagency.com



Zanuck, Passon, & Pace
4717 Van Nuys Blvd., Ste. 102
Sherman Oaks, CA, 91403
(818) 783-4890

http://www.zppagency.com

Michael Zanuck
zanuckm@cs.com

Jerry Pace
agentpace@aol.com

Melissa Cohen
agentcohen@yahoo.com

Marcia Lynn
zanuckpp@aol.com



Julian Belfrage Associates
46 Albemarle Street
London W1X 4PP

Victoria Belfrage
victoria@julianbelfrage.co.uk


***Redacted***

Hey, Tatyana, I INCLUDE ACTOR'S AGENTS on my little list. Actors are often looking for good parts and I've written a book that has lots of good parts for Actors. Here's the whole book. Thanks. G.

http://everyonewhosanyone.com/ggsyn1.html



Wardlow and Associates
14000 Palawan Way, Suite 36
Marina Del Rey, CA 90292
(310) 452-1292

David Wardlow
wardlowaso@aol.com

Jeff Ordway
wardlowaso@aol.com



Kathleen Schultz Associates
6442 Coldwater Canyon Ave., #206
Valley Glen, CA 91606
(818)760-3100

Kathleen Schultz
kschultzassoc@aol.com



Lasher, McManus, Robinson & Kipperman
1964 Westwood Blvd. #400
Los Angeles, CA 90025
(310) 446-1466

Estelle Lasher
lmrla@earthlink.net

Perri Kepperman
lmrla@earthlink.net

Marsha McManus
lmrla@earthlink.net



DDO Artists Agency
8322 Beverly Blvd, Ste. 301
Los Angeles, CA 90048
(323) 782-0070

40 West 57th Street
New York, NY 10019
(212) 379-6314

http://www.ddoagency.com

Bill Bohl, President
bill@ddoagency.com

Abby Girvin, EVP
abby@ddoagency.com

Marlene Sutton, EVP
marlene@ddoagency.com

Maria Walker
maria@ddoagency.com

Kristin Cambell-Taylor
kristin@ddoagency.com

Kim Gouveia
kim@ddoagency.com

Jim Keith
jim@ddoagency.com



David Shapira & Associates
193 North Robertson Blvd.
Beverly Hills, CA 90211
(310) 967-0480

Matt Shapira
ms@dsa-agency.com

Mark Scroggs
mrs@dsa-agency.com

Susan Simons
sison@dsa-agency.com



Elaine Devlin Literary Agency
20 W. 23rd St. 3rd Flr.
New York, NY 10010
(212) 206-8160

Elaine Devlin
edevlinbei@aol.com



Arlene Thornton Agency
12711 Ventura Blvd.., Ste. 490
Studio City, CA 91604
(818) 760-6688

http://www.arlenethornton.com

Arlene Thornton
arlene@arlenethornton.com

Larry Riess
larry@arlenethornton.com

John Lohr
john@arlenethornton.com



Stuart M. Miller Company
11684 Ventura Blvd., Ste. 225
Studio City, CA 91604
(818) 506-6067

Stuart Miller (@)
smmco@aol.com


Dear Mr. Jones: If your literary talent was anywhere near the equal of your talent to offend you'd be a recognized writer who wouldn't have to be lurking around the internet launching cheap potshots at anyone and everyone in the publishing and movie fields. I'm sure you think you're some cute dude but, frankly, you're just another pathetic wannabe without the good sense to know when to back off and give us all a break. If GINNY GOOD is anywhere near as good as you think it is, I'll eat GINNY GOOD. In the meantime, please remove me from both your directory and your SPAM LIST. Stuart M. Miller

There, now don't you feel much better knowing your ignorance is etched in stone? I'm some way cute dude, dude, don't you worry your pretty little head about it. Part of what makes me so cute is that I read things before I rag on them. Maybe you're just pissed 'cause you're on the last page of my little list. G.

I couldn't possibly feel any better than I already do, just knowing you're concerned about my pretty little head. Now, be a good little cute dude and remove me from your email address book. S.

I prefer not to. G.

Oh well, that's what spam controls are for. S.

Precisely. G.

Dear G: Since you refused to remove me from your SPAM list when I asked you to the last time we corresponded (if that's what you call your meandering, sophomoric, brainless, self-aggrandizing, ego-maniacal literary drivel) I guess it's only fair to respond to you in kind. If the crap you write is still unsold, unpublished, unproduced and obviously unwanted by anyone of any meaningful professional standing in the book publishing and movie businesses why, maybe, just maybe, there's a good reason for it. Oh no! What a concept, after all, YOURS is the only "decent writing" churned out in the English-speaking world (hey, what the hell, no sense in limiting ourselves here; the ENTIRE world) in the last twenty years, so everyone else's literary efforts (and those of their agents, managers, attorneys, editors, producers, directors and all those other poor, deluded, money-grubbing pseudo-professionals with whom they surround themselves) have just been so much wasted time and synapse-firing. Geez, why don't they get a life, like you have? I hope my thinking hasn't been too original for you. It appears that we're in this together forever so, thanks for staying in touch. It's been real.....S

You seem to have understood exactly what I said; hey, maybe we're kindred spirits (nobody's paying any attention to you, either). Now go listen to the chapter of the audio book I sent you (the real book of which has been in book stores for awhile now, by the way) and try to tell me that that single chapter isn't better than any ENTIRE movie or ENTIRE book that's been made anywhere in the world in the last twenty years...I dare you. And there are thirty-four more chapters to go with it, each of which is just as good in its own way. That makes my writing thirty-five times better than all the crap churned out by all the other so-called writers and their agents, managers, lawyers, publishers, publicists, butlers, etc., etc., etc. who've been published or produced in the last twenty years, yes. Do the math. Thanks. G.

http://everyonewhosanyone.com/audio/GGch33m.mp3

I did. It's not. Thanks. S

If you're not a moron it is. And I don't believe you. Why would you waste your precious time when you've already made up your precious mind? G.

Why, G, you're such a cynical, disbelieving dude. I did like the musical opening, and you do have a nice, if untrained speaking voice but, alas, the material is hardly groundbreaking. Just the opinion of a brainless sycophant, of course...stay in touch. S

Pfssh. It's groundbreaking shitless...I'd adore hearing what, in your opinion, was a better piece of writing in the last twenty years. G.

Not that I couldn't provide you with a list long enough to overwhelm your in-box, but what would be the point? The "foolish consistency" at play here is your astonishing, unsupported assessment of the quality of your material. I always encourage writers to believe in themselves and never give up no matter what anyone else has to say about their work because, as Bill Goldman rightly asserts in his ADVENTURES IN THE SCREEN TRADE, "nobody knows anything" (including me). But that doesn't include universal disparagement of everyone else in the world, which is your M.O. Life and literature are not zero-sum games, G. There's plenty of room for the success of others without it undermining your own opportunity to win, too. You don't seem to have enough generosity of spirit to allow for this which might, in fact, account in part for the failure of GINNY GOOD to find a meaningful market. There's no conspiracy operating against your success; maybe, after all these years, it's time for you to take a hard look at yourself, your work and your methods...? I know I'm wasting my time here, but you're just such an entertaining correspondent that I can't resist. The fact is, I truly wish you good luck; I have no reason not to. S

Here's what you don't get: The love of money is the root of all evil. As long as "literature" or "art" or "films" are "successful" based solely on the money they make, you're gonna have nothing but shitty, superficial, lowest-common-denominator literature, art and films. And there is a "conspiracy" operating against my "success." My success ain't based on making money. That's anathema to you and the "powers that be" in the entertainment, publishing and media industries. My success is based solely on truth, beauty and everlasting love. I've achieved it. You can't buy those things. You can only make them. Virtue is its own reward. And you can't provide me a single example of any better writing than my writing that's been published or produced anywhere in the world in the last twenty years. Go ahead and try. What you'll come up with will be moneymaking horseshit. I'll show you how ludicrous it is, word by word, sentence by sentence, paragraph by paragraph. You encourage people to not give up writing money-grubbing horseshit. I encourage people to do exactly the opposite, and I do my encouraging by example not by spouting a bunch of inane, walled-off, narrow-minded, destructive "success" stories. I've got nothing against you, either. You're an excellent speller. Oh, and the quality of my work is supported...by what precious few people there are left in the world who've read it and who know how to read and who know what good writing is. Go back to basics. Read some Nabokov or Celine (not Celine Dion) or Flannery O'Connor, etc., even Faulkner or Nathaniel West or Salinger or Pynchon, like, you know, in a pinch. It's not your fault that you're a brainless sycophant, you've been brainwashed from birth to be a slave to the almighty dollar, that's all. Donald Trump can't help it, either, the poor slob. Take a look around you at the "successful" guys in Hollywood. Is that really what you want to be? A cringing slave? Yikes. "Father, forgive them for they know not what they do." Truer words was never spoke. G.

Gee, G, I can't tell you how thrilled I am by your admission. "The love of money is the root of all evil." So fresh and original; it might be your first publishable work. I'm prepared to represent it to the pantywaist publishing industry without commission (I know that will get me drummed out of the money-grubbing agency business but, damnit, I've seen the light now and I want a piece of that truth, beauty and everlasting love that you've been enjoying). We shall, of course, accept no advance or royalties in your contract so you can maintain your pristine and virtuous status in life and, if anyone actually buys your work, they'll immediately be nominated for a Nobel Prize in Reading and given a full refund of the purchase price. With all the respect you deserve, S NitPicker, Agent To The Braindead

Were you to be in an enlightened enough state to give me all the respect I deserve I'd be honored, but of course you're not. Pity. You are kind of cute, though. Oh, go listen to this chapter. It's free:

http://everyonewhosanyone.com/audio/GGch23m.mp3

As are the other thirty-four. Check 'em out, doof, if you dare:

http://everyonewhosanyone.com/ggsyn.html

And I'm still waiting to hear a single example of what, in your opinion, is a better piece of writing than mine that's been published or produced in the past twenty years. Stay in touch. G.

You don't know anything about me, G, so you're hardly in a position to be making judgements about my work, my motives, the state of my brain or what I "really want to be". Nevertheless, you're an amusingly bitter guy and I'm happy for you that you seem to be happy with the success you've achieved, whatever that might be. Thanks for the rare compliment about my spelling. Coming from you, any compliment is to be treasured...S

I know plenty about you from the resume you stuck up on some wannabe "writers" website. Took APA from 5m to 30m in billings...big whoop. And bitter? Me? Ha! I'm happy as a clam. (There's a groundbreaking simile for you.) You should read my book and be blown away like anyone with any brains is. Think of it as an IQ test; if you get blown away, you have some modicum of brains, if not, hey, join the crowd. G.

If I had the time, I would read your book, but I've already used up all the time I have for you in this fruitless, albeit entertaining, email exchange. It's way more than I usually give to hopeless wannabe's like you and the result has been utterly predictable. You're like a one-man cult; you have a completely blind and unsupportable faith in your belief and an answer for every challenge that's grounded in a "you're-too-ignorant-to-get-what-only-I-with-my superior-talent-knowledge-and-intellect-can-possibly-know". So, smart as you obviously are, you're just another loser; if you had the modicum of brains you ascribe to even those who "get blown away" by your modest literary talent, you'd know it. But, you know, I happen to be happy as a clam with my life, too. So, maybe I'll see ya around the beach. S

You can lead horses, etc. You're a semi-charming guy, too bad you're so brainwashed. And you don't know jack about my "modest" literary talent, not having read any of it. That's okay. You've got lots of company. G.

Semi-charming, cute and a good speller. Are you coming on to me, or what? As for your "talent", you got me wrong...again. I actually did read some of it the first time you sent me a SPAM last year. And I've now listened to two of the chapters you linked to your most recent SPAMs so I guess I'm now part of a infinitesimal, elite group of brainless sycophants who haven't completely ignored you. Sort of like a secret society without the greek letters. S

Oh, man, I've been coming on to you all along. That you might read my writing is the only reason I ever wrote anything I've ever written; that you might look at my SPAM website is why I stuck it up. You still haven't pointed out a single example of any writing that's better than mine. Try. Go ahead. Whatever silly horsepiss you come up with will get itself laughed off the planet. Don't be bashful; admit you do what you do exclusively for money. There's nothing "wrong" with that. It's the American way. Schlock sells. Read it, rep it, encourage it, convince yourself it has "artistic merit," call yourself "worthwhile," call yourself an advocate for "the arts." What a crock. And you're old enough and probably smart enough to know that. G.

Nope, just old enough and smart enough to recognize sophomoric bullshit when I see it. Which is where you come in, bless your heart, G. You are a truly world-class bullshitter which leaves me wondering how and why it is that you're such a smalltime, unknown "artist". In the real world, with your talent for nasty self-promotion, you oughta be a star. Maybe you need a guru, somebody like Karl Rove, to help you get your story out there. I'll give it some thought and get back to you. S

One man's sophomoric bullshit is another man's great art, as you and your artless, tasteless, tactless, witless, boring, chickenshit, money-grubbing Hollywood goons know oh so well. The "real" world...ha! You wouldn't know the real world from a cow. It's one thing to have a big ego and quite another to deserve to have a big ego. I don't mind pissing off deluded twits who think they're slick 'cause they make money selling preposterous horsepiss to the poor schlubs who want to be deluded twits too. All the king's horses and all the king's men with all the trillions of dollars they've wasted in the last twenty years can't write anything worth writing. I can. I do. That makes me better than you. Sorry, Charlie. G.

Ah Gerry, the dude with way too much time on his hands is back again, eh? And with an amazing new art form for the world, too. But wait, I think someone else might have invented it even before the fabulously talented, singularly enlightened, gleefully happy Gerard Jones did (we know he's all that because he's told us so, endlessly); they call it AUDIO BOOK. Oh well, I guess G. doesn't get out much to those nasty bastions of literary commerce we call book stores so, of course, he couldn't know that someone beat him to the punch with the "slickest new art form ever made". And Ger, if Sergeant Barry Sadler knew you were using his hit song, "The Ballad of the Green Berets" to enhance your Chapter 17, he'd come back and kick the crap out of you. As always, since I can't seem to get you to stop sending me your unwanted SPAM, which I must then attempt to turn into a nourishing meal for everyone who happens to read it on your SPAMsite, thanks for staying in touch...Stu

That I CAN use Sgt. Sadler's catchy tune is part of the newness of the art form, dork. It's history. It's true. It's edifying, enlightening, entertaining, innovative...nobody's ever done what I did before 'cause they're worried about getting sued and getting called silly names. It ain't a commercial venture. It's free. Like me. Unlike you. It's art. Boorish reactions like yours are part of the whole multifaceted, multimedia experience. Toodles. G.

Update April 2006

Ah, Gee, I've missed you. But wait, you've only been averaging 125,000 rejections annually? Well, of course, you've only sent it a bare fraction of us Nazis. I'll bet you haven't even made a single submission to South America where, as everyone knows, most of the unaccounted for agents, publishers, producers, executives and assorted other entertainment and media trash in the SS fled. Of course, most of the current survivors are now in their dotage but hell, nobody can fault their excellent literary taste. Maybe if you slightly revise the fabulous GG to include some references from Nietzsche and Mein Kampf and a song or two from the ever-popular Wagner on the audio version you'll find yourself with a hardcover deal (no advance or royalties, of course). Anyway, welcome back and don't you dare stop sending me your always welcome emails. 666, indeed. Stu Miller

Stuie! My fifty-seventh favorite penpal! There's a new kind of Nazi going around...poor Goebbels and them old goose-steppers couldn't hold a candle. You gotta start slipping the propaganda to 'em before the good little nouveau-Nazis get themselves conceived. Then, by the time they're adults, it's simple to convince 'em things like "Israel doesn't have any nuclear weapons at all" whereas the fact is that Israel has more nukes per person than any other country in the world: one nuclear weapon for every 20,000 people. And Israel don't gotta sign no stinking nuclear nonproliferation treaties, are you kidding? Playing by the rules is for stupid countries...like them poor schmucks in Iran. Now that's propaganda. And if you say anything bad, i.e., truthful, about Israel, well of course you're anti-Semitic...and being perceived as anti-Semitic in America these days is the same as being perceived as anti-Nazi in Nazi Germany. Am I right or am I right? Hey, you might have noticed that I put an ampersand by your name which means that I don't think you're a complete Nazi moron...worthless, superfluous, giddy, giggly, chickenhearted and money-grubbing, maybe, but not a Nazi moron. Congratulations! You're a rare exception. Oh, and here's a little Nietzsche, just for you. G.

http://everyonewhosanyone.com/audio/GGch08m.mp3

Aaarrrggghhh!!! You tricked me! First you get me all excited with an ampersand, then you direct me to some Nietzsche and what do I find on the link, more rambling, to say nothing of boring, GG nonsense for the five or six minutes I could tolerate it. "His hair was short and blond and thick..." is as far as I got. G, I'm glad you're back but, please, no more misleading links or I'll have to ask you to remove that ampersand and shoot me a 666, after all. Meanwhile, what the hell got you going on Israel and its nuclear arsenal; was it something I said? Hey pal, if you found yourself surrounded and outnumbered by multimillions of enemies who've sworn (or tacitly support those who have so sworn) to wipe you off the face of the earth I think you'd arm up to the hilt, too. But, peace-loving, unreformed hippy that you are, maybe you'd just hand 'em each a flower and sing 'em a Jim Morrison song, or something, eh? Gotta go, stay cool. S

Oh, man, I'm amazed you got that far, almost seven minutes, wow...your attention span must have been stretched way beyond its usual thirty seconds. In another six minutes you would've gotten to your buddy Nietzsche. It's not Israel's nukes I give a rat's ass about—I like my chances in the aftermath of Armageddon as well as the next guy?s—it's the Nazi propaganda your poor brain's been infected by since birth that has turned you into such a tomato you don't know black from white, right from wrong, good from bad, etc. that I don't particularly care for. You believe the lies you're told, ha! You poor dear mindless dolt. My heart goes out to you. It's not your fault, I know. There are billions of brainwashed schlubs running around thinking they're clever, thinking shitty writing's good and good writing's shitty, you're one of 'em, big whoop. I'm trying to change all that, to make things better for you, to open your eyes and unplug your ears. I may fail, sure—it's the entirety of the monolithic, three-hundred-billion-dollar a year media and entertainment Nazi propaganda establishment I'm going up against—but that ain't gonna stop me from trying. Your grandchildren will thank me. They'll thank you, too, for being such a good sport...well, you know, if you call shooting fish in a barrel a sport. Heh. G.

August 31, 2006

Omigod! Gee, Ge, G, you're BACK...again! Please, please, please don't gimme that ol' 666. After all our time together I couldn't bear the thought of life with no more offers to follow your narcissistic links and let them "take me where they take me". What a concept; do the guys at Yahoo know about this? Anyway, must say Ciao for niao, it's late and I have sold a single piece of crap all day; I could be dissed by my personal laundress or some other staff member here at the worldwide headquarters of The Stuart M. Miller Co. if I don't get on the ball before lunchtime. 'Bye. Stuou'd just hand 'em each a flower and sing 'em a Jim Morrison song, or something, eh? Gotta go, stay cool. S

Get on the ball by all means, yes. There's unimaginably stupid schlock to be bought and sold and bought and sold. Without it what would the laundress do with her hard-earned five bucks an hour? Eat cake? G.



Circle of Confusion
107-23 71st Road, Ste. 300
Forest Hills, NY 11375
(212) 969-0653

http://www.circleofconfusion.com

queries@circleofconfusion.com

David Mattis
dm@circleofconfusion.com

Lawrence Mattis
lm@circleofconfusion.com

David Alpert
da@circleofconfusion.com

David Engel
de@circleofconfusion.com



Jaime Ferrar Agency
4741 Laurel Canyon Blvd., Ste. 110
Valley Village, CA 91607
(818) 506-8311

http://www.jfala.com

Jaime Ferrar
jfatalent@sbcglobal.net



Defining Artists
10 Universal City Plaza, Ste. 2000
Universal City, CA 91608
(818) 753-2405

http://www.definingartists.com

Dede Binder-Goldsmith (@)
dede@definingartists.com

Kim Dorr
kim@definingartists.com

Breanna Bell
breanna@definingartists.com



Chateau Billings Talent Agency
8489 West Third St., Ste. 1032
Los Angeles, CA 90048
(323) 692-9668

Kay Billings (!)
chateaub@mindspring.com

Guy Chateau
CBTAgency@aol.com

Jessica Biscardi
CBTAgency@aol.com



JKA Talent & Literary Agency
1926 N. Crescent Heights Blvd.
Los Angeles, CA 90069
(818) 980-2093

James Kellem
jkatalentagency@aol.com



Judy Schoen & Company
606 N. Larchmont Blvd., Ste. 309
Los Angeles, CA 90004
(323) 962-1950

Jon Williams
jonwilliams@jschoen.com



The Morgan Agency
7080 Hollywood Blvd, Suite 1009
Hollywood, CA 90028
(323) 469-7100

http://www.themorganagency.com

info@themorganagency.com

Keith Lewis, President
klewis@themorganagency.com

Milton Perea
mperea@themorganagency.com

Pierre Gatling
pgatling@themorganagency.com

Patricia Dawson
pdawson@themorganagency.com

Rich Smith
rsmith@themorganagency.com

David Schember
dschember@themorganagency.com



Jet Set Management Group
2160 Avenida de la Playa
La Jolla, CA 92037
(858) 551-9393

http://www.jetsetagency.com

Cindy Kauanui
cindy@jetsetmodels.com

Lindsay Stewart
lindsay@jetsetmodels.com



The Blake Agency
1327 Ocean Ave., Ste. J
Santa Monica, CA 90401
(310) 899-9898

Merritt Blake
blakeagency@aol.com

Rick VanNoy
blakeagency@aol.com

John Crowther
blakeagency@aol.com



Susan Nathe & Associates, CPC
8281 Melrose Ave., Ste. 200
Los Angeles, CA 90046
(323) 653-7573

Susan Nathe
snathe@pacbell.net

Steve Cummins
snathe@pacbell.net

Liz Quintero
snathe@pacbell.net



Kolstein Talent Agency
247 West 38th St., Ste. 1001
New York, NY 10018

8499 West Sunset Blvd.
Hollywood, CA 90069

http://www.kolsteintalent.com

Naomi Kolstein
naomi@kolsteintalent.com

Jeremy Zall
jeremy@kolsteintalent.com

Victoria Katz
victoria@kolsteintalent.com



Circle Talent Associates
433 N. Camden Dr., Ste. 400
Beverly Hills, CA 90210
(310) 279-5155

Jennifer Garland
circletalent@sbcglobal.net



LA Models/LA Talent Agency
7700 Sunset Blvd.
Los Angeles, CA 90046
(323) 436-7700

Heinz Holba
heinz@lamodels.com

Mike Casey
mike@latalent.com

Pam Loar
pam@latalent.com

Tracy Dwyer
tracy@latalent.com



Coast To Coast Talent Group
3350 Barham Blvd.
Los Angeles, CA 90068
(323) 845-9200

http://www.ctctalent.com

Jeremiah Doryon, President
jdoryon@ctctalent.com

Elyah Doryon, CFO
edoryon@ctctalent.com

Kevin Turner
kturner@ctctalent.com

Amber Raitz
araitz@ctctalent.com

Meredith Fine
mfine@ctctalent.com

Dana Edrick
dedrick@ctctalent.com

Reagan Wallace
rwallace@ctctalent.com

Petrina Herman
pherman@ctctalent.com



Special Artists Agency
9465 Wilshire Blvd., Ste. 890
Beverly Hills, CA 90212
(310) 859-9688

Liz Dalling
ldalling@specialartists.com

Kylie MacKenzie
kmackenzie@specialartists.com



Conan Caroll
6117 Rhodes Ave.
North Hollywood, CA 91606
(818) 760-4730

Conan Carroll
conancarroll@sbcglobal.net



Jack Scagnetti Talent Agency
5118 Vineland Ave., Ste. 102
North Hollywood, CA 91601
(818) 761-0580

http://www.jackscagnetti.com

Jack Scagnetti
jack@jackscagnetti.com



McCabe Justice
8285 Sunset Blvd., Suite #1
Los Angeles, CA 90046
(323) 650-3738

http://www.atalentagency.com

Brian McCabe
bmccabe@atalentagency.com

Todd Justice
mccabejustice@aol.com (!)



The Orange Grove Group
2178 Ventura Blvd., Ste. 205
Studio City, CA 91604
(818) 762-7498

http://www.orangegrovegroup.com

agent@orangegrovegroup.com

Greg Mayo
gregmayo@orangegrovegroup.com



MSA
1611 A North El Centro Ave.
Hollywood, CA 90028

http://www.mcdonaldselznick.com

Julie McDonald
julie@mcdonaldselznick.com

Tony Selznick
tony@mcdonaldselznick.com

Lisa Coppola
lisa@mcdonaldselznick.com

Terry Lindholm
terry@mcdonaldselznick.com



Sutton, Barth & Vennari
145 S. Fairfax Ave., Ste. 310
Los Angeles, CA 90036
(323) 938-6000

http://www.sbvtalentagency.com

Pam Sparks
pams@sbvtalentagency.com

Rita Vennari
ritav@sbvtalentagency.com

Mary Ellen Lord
maryellenl@sbvtalentagency.com

Anna Rodriguez
annar@sbvtalentagency.com

Cynthia McLean
cynthiam@sbvtalentagency.com

Robin Lamel
robinl@sbvtalentagency.com



Sara Putt Associates
Shepperton Studios, Studios Road
Shepperton, Middx TW17 OQD

http://www.saraputt.co.uk

Kate Watson
kate@saraputt.co.uk



Brady Brannon & Rich
5670 Wilshire Blvd., Ste 820
Los Angeles, CA 90036
(323)852-9559

David Brady
dbrady@bbrtalent.com

Gary Bornstein
gbornstein@bbrtalent.com

Pat Brannon
pbrannon@bbrtalent.com

Judy Rich
jrich@bbrtalent.com

Steve Funck
sfunck@bbrtalent.com



Carry Company
3875 Wilshire Blvd., Ste. 402
Los Angeles, CA 90010
(213) 388-0770

49 W. 46th Street, 4th Flr.
New York, NY 10036
(212) 768-2793

http://www.carrycompany.com

Sharon Lee Carry
sharon@carrycompany.com

Amanda Keith
amanda@carrycompany.com



(@) = Not a corporate fascist. (Feel free to apply for non-corporate fascist status...simply tell me in fifty words or fewer why you think you're not a corporate fascist.)

(*) = E-mail bounced. Correct information much appreciated. In fact, anyone who knows anything I don't know, let me know.

(!) = E-mail blocked (just mine, not yours), probably 'cause the intended recipient and/or the company by which he or she is owned and operated is an extra brainwashed, super chicken, corporate fascist goon.

(666) = Asked not to be contacted (by me, not by you), very likely because he or she is a happy little slave boy or a happy little slave girl and doesn't want it any other way, uh-huh, uh-huh.

Gerard Jones
everyone@everyonewhosanyone.com

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Gerard Jones
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